Bob Marley: Pan Africanism and the Struggle for Social Justice in Africa-PDF

Bob Marley: Pan Africanism and the Struggle for Social Justice in Africa-PDF

38.99

This is a collection of essays from the International Symposium in Honour of
Bob Marley: 40 Years After, held on 11 May 2021 at the University of Nigeria, Nsukka. The essays examine the contributions of Bob Marley towards the sustenance of the philosophy of Pan-Africanism as well as the intellectual ideology of Marcus Garvey. It also looked at reggae music as an effective means of disseminating information and making discontent or disaffection and as well explores the nexus between the struggle for the emancipation and liberation for the African continent. The Bob Marley’s Redemption songs inspired the need to unite and fight against the repressive tendencies of the neo-colonialists agents militating against Africa. The essays in this volume are multidimensional from scholars of different backgrounds in humanities and social sciences. It recreates the nexus between music, history, philosophy and popular culture. Bob Marley provides the template of new epistemological rethinking of teaching history and decoloniality from the lens of music. This volume provides a new dimension of understanding the African narratives in slavery, colonialism and neo-colonialism. It challenges western filer thoughts on the persistent struggle of class struggle and imperial instituted regimes in Africa.

Author

ISBN

Publication Date

August 20, 2024

No. of Pages

152

Size

About the author

Dr. UCHE UWAEZUOKE OKONKWO holds a PhD in History and Strategic Studies from the University of Lagos, Nigeria, and was a recipient of the University of Lagos Graduate Fellowship (2007-2009). He is a Visiting Senior Research Associate at the Becker Freidman Institute for Economics and a Scholar in residence at the
Harris School of Public Policy Kelly Centre at the University of Chicago, USA. He is a Senior Lecturer in the Department of History and International Studies, at the University of Nigeria, Nsukka. Uche is a widely traveled academic and has won several travel research grants across Africa, Europe, and USA. He has solely authored We Drank Palm Wine Until They Arrived: A Socio-Economic History of Alcohol in Southeastern Nigeria (New Jersey: Goldline and Jacobs, 2017) and co-authored Witchcraft and Nigerian Historiography (New Jersey: Goldline and Jacobs, 2024). He is one of the co-editors of the book Election Has No Meaning: A Re-Appraisal of the 2023 General Elections in Nigeria (Berlin, Galda Verlag, 2024.

Table of contents

TABLE OF CONTENTS

Note on Contributors …………………………………………………………………………………..i

Acknowledgements …………………………………………………………………………………….v

CHAPTER ONE:

Confronting Social Injustices: The Bob Marley’s
Jamaican Story and the Nigeria Dilemma

Uche Uwaezuoke Okonkwo

Introduction ……………………………………………………………………………………………….1

CHAPTER TWO:

Bob Marley, Pan-Africanism and Black Civilization

Ikenna Emmanuel Onwuegbuna

History and Etymology of Reggae ……………………………………………………………….8

Growth and Spread of the Genre ……………………………………………………………….15

Afrocentric Consciousness and Cultural Hybridization …………………………….21

Conclusion ……………………………………………………………………………………………….25

References …………………………………………………………………………………………………29

CHAPTER THREE:

The Political Thought of Bob Marley and Peter Tosh,
1962-1987

Bernard Steiner Ifekwe

The Progenitors of Bob Marley and Peter Tosh ………………………………………….32

Their Thoughts on Slavery ………………………………………………………………………..36

Their Position on Human Rights ……………………………………………………………….38

Pan-Africanism in Their Political Thought ………………………………………………..43

Conclusion ……………………………………………………………………………………………….46

References …………………………………………………………………………………………………47

CHAPTER FOUR:

The Jamaican Africanist: Bob Marley and Social
Movements in Apartheid South Africa

Ugochukwu Ekemezie & Obinna U. Muoh

Anti-Apartheid Liberation Protest Songs and Musicians …………………………..52

Bob Marley and Pan-African Influence ……………………………………………………..54

His songs about South Africa and Government Response to them ……………56

Conclusion ……………………………………………………………………………………………….61

References …………………………………………………………………………………………………63

CHAPTER FIVE:

Bob Marley, Language and Black Emancipation

Ngozi Anyachonkeya & Maureen Onyejegbu

Bob Marley’s Language ……………………………………………………………………………..73

Bob Marley, His Music, the Trans-Atlantic Slave Trade and Black
Emancipation ……………………………………………………………………………………………74

Bob Nasta Marley and Rastafarianism Faith ……………………………………………..74

Bob Marley’s Reaction to Imperialism and Trans-Atlantic Slave Trade ………76

Bob Marley’s Emancipation Mission of the Black Race ……………………………..79

Marley’s Perception of the Black People …………………………………………………….79

Bob’s Rejection of Ghetto Life ……………………………………………………………………81

Linguistic Implicature of Bob Marley’s Music and Songs …………………………..81

Implication of Findings …………………………………………………………………………….83

Conclusion ……………………………………………………………………………………………….85

References …………………………………………………………………………………………………88

CHAPTER SIX:

Bad Governance in Africa: Re-Examination of Bob
Marley’s Music “Them Belly Full”

Chukwu, Lawson Onyema & John Mary Kelechi Ani

Conceptual Clarification …………………………………………………………………………..92

Theoretical Framework ……………………………………………………………………………..93

Leadership Failure and Political Corruption In Africa ………………………………94

Bob Marley’s “Them Belly Full, But We (Hungry)” ……………………………………94

Neo-Colonialism and Political Corruption in Africa …………………………………99

References ……………………………………………………………………………………………….104

CHAPTER SEVEN:

Religion and Mental Slavery in Nigeria: An Analysis of
Bob Marley’s “Redemption Song”

Chukwuebuka Kenneth Ugwu, Ngozika A. Obi-Ani

& Mathias Chukwudi Isiani

Methodology, data collection, and research design ………………………………….110

Discussions and findings …………………………………………………………………………111

An overview of Bob Marley’s “Redemption Song” ……………………………..111

Christianity and mental slavery in Nigeria …………………………………………112

Islam and mental slavery in Nigeria …………………………………………………..115

Conclusion ……………………………………………………………………………………………..118

References ……………………………………………………………………………………………….121

CHAPTER EIGHT:

One Message, Two Messengers: Appraising Black Pride
and Emancipation Content in Fela Ramsome Kuti &
Bob Marley’s Lyrics

Victor Ukaogo & Ogechi Cecilia Ukaogo

Conceptual Clarifications ………………………………………………………………………..127

Social Justice, Social Prophets and the Demographics of Justice ………………128

The Message, the Messengers and the ‘Generation of Vipers’ …………………..129

Black Messengers, Black Pride and Emancipation …………………………………..132

The Messenger’s Message: the Sustainability Dilemma …………………………….133

Conclusion ……………………………………………………………………………………………..134

References ……………………………………………………………………………………………….135

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